Horror Vacui

A tendency to favour filling blank spaces with objects and elements over leaving blank or empty spaces.

Horror Vacui–a Latin expression meaning “fear Of emptiness”–regards the desire to fill empty spaces with information or objects. In style, it is the opposite of minimalism. Though the term has varied meanings across different disciplines dating back to Aristotle, today it is principally used to describe a style of art and design that leaves no empty space. Examples include the paintings of a artists Jean Dubuffet and Adolf Wölfli, works of graphic designers David Carson and Vaughan Oliver, and the Cartoons of S. Clay Wilson and Robert Crumb. The style is also commonly employed in various commercial media such as newspapers, comic books, and Websites.

Recent research into how horror vacui is perceived suggests a general inverse relationship between horror vacui and value perception-that is, as horror vacui increases, perceived value decreases. For example, in a survey of more than lOO clothing stores that display merchandise in Shop windows, the degree to which the shop windows were filled with mannequins, Clothes, price tags, and signage was inversely related to the average price of the clothing and brand prestige of the store. Bulk sales shops and chain stores tended to fill window displays to the maximum degree possible, using every inch of real estate to display multiple mannequins, stacks of clothes, and advertising promotions, whereas high-end boutiques often used a single mannequin, no hanging or stacked clothes, no signage, and no price tags–if passersby need to know the price, they presumably could not afford it. This result is certainly consistent with common experience, but somewhat surprising as lavish decoration is historically considered an indication of affluence and luxury.

lt may be that the inverse relationship is actually between the affluence of a society and the perceived value associated with horror vacui–that is for those accustomed to having more, less ls more. And for those accustomed to having less, more is more. Others have speculated that the relationship is more a function of education than affluence. This area of research is immature and much follow-up is required to tease out the causal factors, but the preliminary findings are compelling.

Consider horror vacui in the design of commercial displays and advertising. To promote associations of high value, favour minimalism for affluent and well educated audiences and horror vacui for poorer and less–educated audiences, and vice versa. For information-rich media such as newspapers and websites, employ information-organising principles such as alignment and chunking o retain the benefits of information-dense pages while mitigating horror vacui.